This semester I am presented with a unique opportunity – an offer of a desk and computer as a guest scholar (from August–December 2016) at my previous place of employment, CTR, the Centre for Textile Research (SAXO Institute, University of Copenhagen). This enables me to work on my long term independent research project enquring into how Paul Ricoeur (1913-2005) can enhance our understanding of history.
Working as a copyeditor over the decades for academics has given me insight into the methodical and logical thought processes of highly intelligent human beings as well as to the craft of writing. What this new opportunity gives me is the possibility to discuss with researchers and museum personnel and weavers what the verbs making and crafting means to them.
For sometime now I have been reflecting and writing, or rather attempting to write, about Ricoeur’s conceptual network, mainly using his two works on Time and Narrative and Memory, History, Forgetting. Now I can also gain some practical insight into the processes that lie behind the making and crafting of history.